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1934 musical with music and lyrics by Cole Porter

Anything Goes
Anything goes original sheet music.jpg

Sheet music from original Broadway product Annihilation Goes

Music Cole Porter
Lyrics Cole Porter
Volume Guy Bolton
P. G. Wodehouse
Howard Lindsay
Russell Crouse
John Weidman (1987 revival)
Timothy Crouse (1987 revival)
Productions 1934 Broadway
1935 West End
1987 Broadway Revival
1989 West Terminate revival
2003 West Cease revival
2011 Broadway revival
2012 US tour
2015 UK bout
2021/2022 London revival
Awards 1987 Tony Award for All-time Revival
2002 Laurence Olivier Award for Best Musical Revival
2011 Tony Award for Best Revival of a Musical

Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P. Chiliad. Wodehouse, heavily revised by the team of Howard Lindsay and Russel Crouse.[ane] The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub vocalist Reno Sweeney and Public Enemy Number 13, "Moonface" Martin, aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes", "Y'all're the Peak", and "I Become a Kick Out of You lot."

Since its 1934 debut at the Alvin Theatre (now known as the Neil Simon Theatre) on Broadway, the musical has been revived several times in the Usa and Britain and has been filmed three times. The musical has long been a popular choice for school and community productions.[2]

History [edit]

The original idea for a musical attack lath an ocean liner came from producer Vinton Freedley, who was living on a boat, having left the Us to avoid his creditors.[3] He selected the writing team, P. G. Wodehouse and Guy Bolton, and the star, Ethel Merman. The first typhoon of the bear witness was called Crazy Calendar week, which became Hard to Become, and finally Annihilation Goes. The original plot involved a bomb threat, a shipwreck, and human trafficking on a desert isle,[4] but, just a few weeks before the prove was due to open, a fire on board the passenger ship SS Morro Castle caused the deaths of 138 passengers and crew members. According to one version,[5] Freedley judged that to proceed with a show on a similar subject would be in dubious taste, and he insisted on changes to the script. Nevertheless, theatre historian Lee Davis maintains that Freedley wanted the script changed because information technology was "a hopeless mess."[6] Bolton and Wodehouse were in England at the time and were thus no longer available, so Freedley turned to his director, Howard Lindsay, to write a new book.[iv] Lindsay recruited press agent Russel Crouse as his collaborator, offset a lifelong writing partnership.[4] The roles of Baton Crocker and Moonface Martin were written for the well-known comedy team William Gaxton and Victor Moore, and Gaxton'due south talent for assuming various disguises was featured in the libretto.

Synopsis [edit]

Four versions of the libretto of Annihilation Goes exist: the original 1934 libretto, the 1962 off-Broadway revival libretto, the 1987 revival libretto, and the 2011 revival libretto. The story has been revised, though all involve similar romantic complications aboard the SS American and feature the aforementioned major characters. The score has been altered, with some songs cut and others reassigned to different scenes and characters, and augmented with diverse Porter songs from other shows. The original 1934 version goes every bit follows.

Original Version [edit]

Human action I [edit]

Billy Crocker, a young Wall Street banker, has fallen in love with a beautiful girl he met at a party and spent the evening in a taxi. His boss, Elisha J. Whitney, is preparing to make a business bargain and is going to travel to London aboard the SS American. Evangelist turned nightclub vocalizer Reno Sweeney will be traveling aboard the same ship. Billy sees Reno equally a friend, but she obviously has feelings for him ("I Get A Kick Out of You"). Billy goes to the dock to say bye to his boss and Reno ("Bon Voyage"), and glimpses the mysterious girl again. He learns that she is heiress Hope Harcourt and, escorted past her mother, Mrs. Harcourt, is on her way to England with her fiancé Lord Evelyn Oakleigh, a handsome but stuffy and hapless British nobleman. Billy stows abroad on the ship in hopes of winning Hope's heart. "Moonface" Martin, a second-rate gangster labeled "Public Enemy thirteen," and his girlfriend, Bonnie, take disguised themselves as a minister and a missionary and, innocently aided by Billy, lath the ship under their assumed identities, stranding the ship's existent chaplain back at the port. Moonface and Bonnie mistakenly leave behind their leader, "Serpent Optics" Johnson, Public Enemy 1.

To thank him, Bonnie and Moonface let Baton take Snake Eyes Johnson'southward passport and ticket without telling him to whom they belong. Baton cons Evelyn into leaving him lone with Hope, by convincing him he is very ill. When he goes to get some air, Billy and Promise meet again, and information technology turns out she has been unable to stop thinking about him every bit well ("All Through The Night"). Though Hope prefers Billy, she insists she must ally Evelyn, though she gives no reason. Unbeknownst to Baton, her family'due south company is in financial trouble and a marriage to Evelyn would promote a merger and salve it. The ship'due south crew gets a cable from New York maxim that Public Enemy ane is on lath. Moonface admits his true identity to Billy and he and Bonnie conspire to disguise Billy as a coiffure member since he is now presumed to be Snake Eyes Johnson.

A quartet of lovelorn sailors comfort themselves with the thought of romance when they achieve shore ("At that place'll E'er Be a Lady Fair"). On deck, Bonnie lures the sailors to her ("Where Are The Men?"), then steals the wearing apparel of one of the men for Billy.

Hope discusses her impending marriage with Evelyn and discovers that he is not specially pleased with the engagement either. Baton asks Reno to help split Evelyn and Hope, and she agrees. Billy and Reno reaffirm their friendship, ("You're the Elevation"). Reno tries to amuse Evelyn, she succeeds, and he invites her for a drink in his motel. She and Moon plot that Moon should burst into the cabin and discover Reno half-naked in Evelyn'due south arms, providing sufficient reason for breaking off the engagement. All the same, when Moon breaks into the room, machine gun in tow, he instead sees Reno fully dressed and Evelyn nigh undressed. Moon tries to invent some indecent caption for the state of affairs, just Evelyn insists that he would be quite pleased by any rumor depicting him as a passionate lover, particularly if Hope heard it. Moon admits that the plot has failed.

The crew discover that Billy is not a sailor, and Moon and Reno create a new disguise for him from a stolen pair of trousers, a jacket taken from a drunken passenger, and hair cut from Mrs. Harcourt'south Pomeranian and made into a beard. Reno tells Baton that Evelyn has kissed her, and she is certain she will be Lady Oakleigh soon, since love moves so apace these days ("Anything Goes"). Mrs. Harcourt, recognizing her dog'south hair, angrily pulls off Billy'south beard and the crew and passengers realize he must exist the wanted man. As Snake Eyes Johnson, Baton is an instant celebrity.

Act II [edit]

Billy is honored by both crew and passengers as "Public Enemy Number One." He tells the Captain that Moon (who is nevertheless disguised as a minister) is helping him reform from his wicked ways. Moon is asked to atomic number 82 a revival in the ship'due south lounge. The passengers confess their sins to the "Reverend," and Lord Evelyn admits to a 1-night stand with a young Chinese adult female, Plum Blossom. Promise is non impressed with Billy's charade, and to please her, he confesses to anybody that he is not actually Snake Optics Johnson. Moon attempts to compensate by revealing that he is not a government minister; he is Public Enemy Number 13. The helm sends them both to the brig. Reno restores the mood of the Revival ("Blow, Gabriel Blow").

Moon tries to cheer Baton up ("Be Similar the Bluebird"). Billy doubts he will e'er see Hope again; he and Moon cannot leave their cell until they return to America. Their menu-playing Chinese cellmates, imprisoned for conning all the tertiary form passengers out of their money, will exist put ashore in England. Moon and Billy challenge them to a game of strip poker, win their clothes, and disguise themselves once more.

Billy, Moon, and Reno show upwards at the Oakleigh manor in Chinese garb. Billy and Moon tell Oakleigh's uncle that they are the parents of "Plum Flower" and threaten to publicize Evelyn's indiscretion if he does not ally her. Oakleigh offers to buy them off and Moon gleefully accepts the cash, much to Baton and Reno'due south chagrin.

Billy and Reno find Promise and Evelyn, who are both unhappy with the prospect of their matrimony. Promise declares that she desperately wants to marry Billy ("The Gypsy in Me"). Billy spots Whitney and finally learns that Evelyn and Hope's planned marriage is really an bad-mannered business organisation merger. Billy realises that Oakleigh is manipulating them all; Hope's visitor is really worth millions and Billy informs Whitney of that fact. Whitney offers to buy the firm from Promise at an exorbitant cost, and she accepts. The marriage is chosen off since a merger is now impossible. Billy and Hope become married, equally do Reno and Evelyn. A cable from the U.S. government fixes Baton'south passport problems and declares Moon "harmless." Moon indignantly pockets Oakleigh's check and refuses to return it.

Current Version [edit]

The 1987 show, which was revived with only minor changes in 2011, has emerged as the most consistently produced version of the musical. Its plot goes equally follows.

Human action I [edit]

Immature Wall Street broker Billy Crocker helps his boss Elisha J. Whitney prepare for his trip to London. Eli tells Baton the adjacent morning he's to make a huge auction of a sinking nugget. Baton then runs into his friend; evangelist turned nighttime lodge singer Reno Sweeney who is leaving on the aforementioned send to London. Reno tries to convince Billy to join her, but he refuses and she laments her unrequited love for him ("I Get A Boot Out Of You"). Billy and so reveals to Reno he'southward fallen in beloved with someone else and she berates him, believing he led her on before sadly reaffirming her feelings for him later on he leaves ("I Get A Kicking Out Of You - Reprise").

The side by side morn the coiffure of the SS American set up to prepare sheet ("There'southward No Cure Like Travel") equally Reno and the other passengers lath. Amid them is debutante Hope Harcourt, joined by her wealthy English fiancé Lord Evelyn Oakleigh and her mother Evangeline, the subject of Eli's infatuation who has set up her girl up to be married in gild to solve their family'southward recent financial struggles. Baton comes aboard to give Eli his passport and spots Hope, the adult female he loves. Upon hearing that she'southward to be wednesday, he stays on the transport in order to pursue her. Also sneaking on to the American is Public Enemy #13 Moonface Martin who's disguised every bit a priest. He's joined past Erma, the promiscuous girlfriend of Public Enemy #i Serpent Eyes Johnson, who is nowhere to be institute. Billy inadvertently helps Moonface evade the FBI, who returns the favor past giving Billy Snake Eyes' ticket equally the ship leaves the dock ("Bon Voyage").

Later that nighttime, Billy bumps into an apologetic Reno who encourages him to go after his real love. When Baton starts to express insecurities nearly being with Hope, Reno builds up his conviction while playfully putting herself down, and he returns the favor ("Yous're The Top"). Billy then scares off a seasick Evelyn and so he tin court Hope abroad from him ("So Like shooting fish in a barrel To Dear"). Though she returns Baton'due south feeling, Hope insists on maintaining her duty and marrying Evelyn. Once alone though, she repeats his romantic words ("And so Like shooting fish in a barrel To Dearest - Reprise").

Eli drunkenly sings well-nigh his excitement for the trip, reminisces on his days in Yale, and unsuccessfully invites Evangeline to spend the night with him ("The Crew Song"). In the adjacent room over, Moonface and Erma are visited by Billy, who hides when the ship'southward captain comes in and reveals that Billy is believed to exist Snake Optics Johnson. The next morning a quartet of sailors sing nearly the joy of seeing women every bit they come up ashore ("There'll Always Exist a Lady Fair") while Erma steals another seaman'southward dress to disguise Billy from the coiffure and his boss. Reno so encounters her old friend Moonface, shortly after which Evelyn approaches her and reveals himself to be a huge fan. Evelyn invites Reno for tea in his room, which Moonface convinces her to accept and so she tin seduce Evelyn, which they'll employ to bribery him and pause upwardly his engagement. Reno agrees to his programme and they sing about what great friends they are, only to descend into bickering ("Friendship").

The attempted extortion proves to be a failure, with Reno and Evelyn instead finding themselves utterly charmed by each other. Billy and Moonface then attempt to frame Evelyn as a mad human to Evangeline only for Hope to step in and betrayal Billy's identity. The crew pursues him while Reno reprimands Hope for ignoring her own happiness and chasing abroad the man she loves. Promise breaks into tears before Billy returns to serenade her, with her now reciprocating ("It'due south Delovely"). Yet, the adjacent morning Hope struggles to tell her female parent of her real love and shortly afterwards Baton is apprehended past the crew. The captain so releases Billy to satisfy the glory crazed passengers, and he basks in the fame of existence a gangster whilst Moonface blows his cover to exercise the same. An upset Hope walks away whilst an onlooking Reno leads the ship in a tap dance and remarks that present, "Anything Goes".

Act II [edit]

The whole ship has gathered to accolade Billy as "Public Enemy Number One". Afterward unsuccessfully trying to get him and Promise back together, Reno begins her operation for that night. She starts out with a sermon request passengers to confess their sins. In his confession, Evelyn tells everyone of the time he had casual sex with a Chinese woman named Plum Blossom. Reno then performs a lively gospel number with everyone else joining in ("Blow Gabriel Blow") at which point she declares "they've seen the light". The passengers then convince Baton to make a confession and he reveals that he's not Serpent Eyes Johnson and apologizes to Hope. Moonface tries and fails to defend him, and both are thrown in the brig. Reacting to this evolution, Evangeline moves the wedding upwardly to the next forenoon on the ship and a heartbroken Promise realizes her chance at true love is over ("Goodbye Little Dream, Good day").

In the brig, Moonface attempts to cheer up a depressed Billy by telling him to "Be Like The Bluebird". Erma visits them to evangelize a letter from Hope where she confesses her feelings for Baton, at which indicate they both on separates parts of the ship express their love ("All Through The Night"). Reno so meets Evelyn on the deck where he admits that he doesn't beloved Hope and hints that he'southward fallen for her instead. Despite this, his sense of honor and family code causes him to not break off the engagement. Reno so notes that his ane night stand in China contradicts this. At her prodding, Evelyn reveals his Romani ancestry and the wild side he'd previously tried to go along hidden. He shows his true feelings for her, she requites them, and they have a passionate tango dance ("Gypsy In Me").

Two Chinese passengers are thrown into the brig with Billy and Moonface for gambling. Reno then comes to tell her friends that she and Evelyn have fallen in honey with each other. Knowing that the Chinese will exist let out in an hour, the 3 then steal their clothes to get Billy and Moonface out in fourth dimension to finish the wedding. On the deck, Erma is proposed to by all the sailors she's slept with during the prowl. She warns them if they outset a relationship, she won't exist easily pleased ("Buddy Beware").

The hymeneals starts but is interrupted when Reno, Baton, and Moonface run in wearing Chinese garb. They claim that Reno is Plum Blossom, who is actually a Chinese princess that Evelyn dishonored when he slept with her. The ruse is near ruined when Moonface accepts Eli's ransom to leave, but Hope intervenes by maxim the but mode for Evelyn to right his wrong is if he offers her to Plum Flower's relative. Evelyn goes forth with this, giving Promise away to Billy, and so proposing to Reno who accepts every bit she unmasks herself. Evangeline is distraught over the idea of becoming poor, just Eli proposes to her, bragging that his recent Wall Street auction has made him rich. Their mutual delight is cut curt when Baton unveils his identity and informs his dominate that he never fabricated the sale. Evangeline prepares to get out Eli immediately simply before she can do then, a wire comes in proverb that the stock that wasn't sold has gone through the roof making him even richer than he imagined. All iii couples now together sing to each other as they're married and the whole send celebrates ("Finale").

Characters [edit]

  • Reno Sweeney — a sultry evangelist turned nightclub vocaliser and an old friend of Billy's
  • Billy Crocker — a immature Wall Street broker in love with Hope
  • Moonface Martin — a second-rate gangster, "Public Enemy Number 13"
  • Hope Harcourt — an American debutante
  • Lord Evelyn Oakleigh — Hope's wealthy and eccentric English fiancé.
  • Bonnie/Erma — Moonface'due south girlfriend (1934 original), Snake Eyes' girlfriend and Moonface's friend (2011 revival)
  • Elisha J. Whitney — an Ivy League Wall Street banker, Baton's boss
  • Mrs. Evangeline Harcourt — Promise's haughty and overbearing mother
  • Captain, Steward, Purser on the transport
  • Ching and Ling ("Luke" and "John" in the 1987 revival and 2002 concert) — two Chinese "converts" and reformed gamblers who back-trail Bishop Henry T. Dobson
  • Ritz Quartette (1934 original) / Lady Fair Quartet (1987 revival)
  • The Right Reverend Bishop Henry T. Dobson
  • Reno's Angels (Purity, Chastity, Charity and Virtue) (1934 original and 1962 revival / 2002 concert and 2011 revival) — Reno's backing singers
  • Ship's crew, Passengers, Reporters, Photographers and F.B.I. Agents

Notable casts [edit]

Major-product casts of Anything Goes
Character Original Broadway
(1934) 		Original W Terminate
(1935)[vii] 		Broadway revival
(1987)[8] 		West End revival
(1989)[9] 		W End revival
(2003)[10] 		Broadway revival
(2011)[11] 		U.S. tour
(2012)[12] 		West End tour
(2015)[xiii] 		London Revival
(2021) [14] 		London and UK Tour
(2022)[fifteen]
Reno Sweeney Ethel Merman Jeanne Aubert Patti LuPone Elaine Paige Sally Ann Triplett Sutton Foster Rachel York Debbie Kurup Sutton Foster Kerry Ellis
Billy Crocker William Gaxton Jack Whiting Howard McGillin Howard McGillin John Barrowman Colin Donnell Erich Bergen Matt Rawle Samuel Edwards
Moonface Martin Victor Moore Sydney Howard Nib McCutcheon Bernard Cribbins Martin Marquez Joel Gray Fred Applegate Hugh Sachs Robert Lindsay Denis Lawson
Promise Harcourt Bettina Hall Adele Dixon Kathleen Mahony-Bennett Ashleigh Sendin Mary Stockley Laura Osnes Alex Finke Zoë Rainey Nicole-Lily Baisden
Lord Evelyn Oakleigh Leslie Barrie Peter Haddon Anthony Heald Martin Turner Simon Solar day Adam Godley Edward Staudenmayer Stephen Matthews Haydn Oakley
Bonnie/Erma[a] Vera Dunn Betty Kean Linda Hart Kathryn Evans Annette McLauglin Jessica Rock Joyce Chittick Alex Young Carly Mercedes Dyer
Elisha J. Whitney Paul Everton Richard Clarke Rex Everhart Harry Towb Denis Quilley John McMartin Dennis Kelly Simon Rouse Gary Wilmot Simon Callow
Evangeline Harcourt May Abbey Diana Wilson Anne Francine Ursula Smith Susan Tracy Jessica Walter Sandra Shipley Jane Wymark Felicity Kendal Bonnie Langford
Ching / Luke Richard Wang Ley On Stanford Egi Hi Ching Raymond Chai Andrew Cao Vincent Rodriguez III Nick Len Alistair And so Carl Au
Ling / John Charlie Fang Ah Woo Sing Toshi Toda John Shin Vao Chin Raymond J. Lee Marcus Shane Andy Yau Jon Chew Trev Neo

Notes

  1. ^ The name of Moonface's girlfriend's character has changed throughout the production's history

Musical numbers [edit]

This chart shows all songs that were performed; placement of the songs varied. Source: Internet Broadway Database listing [16]
1934 Original 1962 off-Broadway Revival 1987 and 2011 Revivals
"I Become a Kick Out of You"
Reno expresses her beloved to Billy in the bar at the showtime of Scene 1, reprised after near the show's terminate. The vocal is sung towards the end of Act i, when Reno realizes she is in love with Evelyn. Same equally 1934.
"(At that place'southward No Cure Similar Travel) Bon Voyage"
The Sailors and guests board the send, ready to depart, singing the "Bon Voyage" section of the vocal, but with no "There's No Cure Like Travel" portion. Same every bit 1934. The complete vocal is sung. ("In that location's No Cure Like Travel" was written for 1934, but later cutting).
"Y'all'd Be And then Easy to Honey"
Written for 1934, but cut during rehearsals. N/A Here, Billy makes an advance on Promise. Although she turns him abroad, she secretly agrees with him.
"The Coiffure Song"
N/A N/A Originally written for a 1914 college show, Paranoia. Elisha J. Whitney prepares for a date with Mrs. Evangeline Harcourt and sings about his Yale days.
"Sailor's Chanty (In that location'll Always Be A Lady Fair)"
Sung by sailors during a scene change, and later reprised. North/A (however, an instrumental version of the song tin be heard in the overture) Aforementioned as 1934, with fewer verses and no reprise.
"Sky Hop"
N/A Originally written for Paris, Bonnie attracts a group of sailors. N/A
"Where Are the Men?"
Bonnie attracts a group of sailors. Replaced by "Sky Hop." N/A
"Y'all're the Top"
Billy convinces Reno to assistance him win Hope's heart (where "Friendship" would go in the revivals). In that location is also an encore of the song, totaling approximately six minutes. Sung at the beginning of the show in place of "I Get a Kick Out of Y'all" with fewer verses. Sung as a pep-talk from Reno to a discouraged Billy.
"Friendship"
Northward/A Originally written for DuBarry Was a Lady; Reno, Baton, and Moonface sing about their strong bond Like to 1962, but just Reno and Moonface sing, and some alternating lyrics
"Information technology's De-Lovely"
N/A Originally written for Red, Hot and Blue; Billy and Promise have a romantic moment where "All Through the Night" was in 1934 and "You'd Be So Piece of cake to Love" was in 1987. They are joined by the sailors and women of the ship. Sung subsequently in the musical, near the Act I Finale. The sailors and women exercise non join in, and there is an extended trip the light fantastic sequence in the center.
"Annihilation Goes"
Sung past Reno before the Act I Finale when she considers marrying Evelyn. Ended Act I and sung about Billy every bit Snake Optics, equally well as Evelyn. Independent alternate lyrics. Similar to 1962, but only well-nigh Baton every bit Ophidian Eyes, with more than alternate lyrics. The 2011 version adds a poetry not heard since 1962: "They think he'southward gangster number one, and so they've made him their favorite son, and that goes to show: Annihilation Goes!"
"Act I Finale"
Whereas the revivals concluded the human action with "Anything Goes," the 1934 original had a scene where Promise rejects Baton, who is posing as Snake Eyes. Reno and Moonface endeavour to cheer him up with a reprise of "Yous're the Top," to no avail. Baton is the hero of the transport to anybody but the girl he really wants. Replaced past "Anything Goes." Replaced by "Annihilation Goes."
"Public Enemy Number One"
After a marching-style intro by the crewman quartet, the vocal turns into a mock-hymn to Baton. The opening verse is cut, leaving only the hymn, sung a cappella way with no instrumentals, unlike the other versions. The introduction is back, sung by the Helm and Purser instead of the sailors, and too shortened a scrap.
"Let's Stride Out"
N/A Originally written for L Meg Frenchmen. Bonnie arouses the passengers subsequently the "Public Enemy Number 1" with a dance number. Northward/A
"What a Joy to be Young"
A heartbroken Promise sings about how she preferred herself back when she was ignorant, but blissful. Cutting during out-of-boondocks tryouts. N/A N/A
"Permit's Misbehave"
Northward/A Originally written for Paris; realizing Billy is beyond her attain Reno sets her sights on Evelyn as he realizes he'due south not in love with Hope. Due north/A
"Accident, Gabriel, Blow"
Sung by Reno to cheer everyone up after Billy is arrested as an impostor. Same as 1934. Sung before Baton is arrested, as part of Reno's "sermon."
"Cheerio, Niggling Dream, Goodbye"
N/A N/A Originally written for Born to Dance, dropped from Cherry-red, Hot and Bluish, outset appears in O Mistress Mine. Sung by Hope afterwards Billy is arrested, in which she realizes she's in dear likewise late. An introductory poesy absent in the 1987 revival was reinstated for the 2011 revival.
"Be Like the Bluebird"
Sung past Moonface to cheer up Billy in the brig. Same as 1934 (missing a verse), only sung after "All Through the Night." Same equally 1934 (missing a verse).
"All Through the Night"
Sung past Baton and Hope on deck early in the evidence, where "It's De-Lovely" and "Y'all'd Be So Easy to Dearest" went in revivals, with a chorus. Reprised when Hope visits Billy in the brig. Aforementioned as the 1934 reprise. Same as 1962, but with only Billy singing, complete with chorus.
"Gypsy in Me"
Sung by Promise, letting her wild side out after Reno tells her that Billy volition fight for her. N/A Now sung by Evelyn, turning into a comic song and dance number, and calculation to the plot virtually his family unit's disturbing secret.
"Have Me Dorsum to Manhattan"
N/A Originally written for The New Yorkers. Sung by a homesick Reno and her Angels. North/A
"Buddie Beware"
Sung by Reno during a scene modify most her problems with men, replaced in later runs with a reprise of "I Get a Kick Out of You." N/A Sung by Erma to the sailors who are in love with her. Fewer verses.
"Finale"
Reprises of "You're the Top" and "Anything Goes." Same equally 1934 Reprises of "I Go a Kick Out of Yous" and "Annihilation Goes." In the 2011 revival, the bandage sings reprises of "It's De-Lovely" and "Anything Goes."

Cut songs

  • "Waltz Down the Alley" [dropped before the Boston tryout, subsequently reworked past Porter as "Wunderbar" for Osculation Me, Kate]
  • "What a Joy to Exist Young" [dropped before the New York opening; alternate championship: "To Be in Love and Immature"]
  • "Kate the Great" [unused][17]

Notable productions [edit]

Broadway [edit]

The official Broadway debut was at the Alvin Theatre on November 21, 1934. Information technology ran for 420 performances, becoming the fourth longest-running musical of the 1930s, despite the touch on of the Keen Depression on Broadway patrons' disposable income. The opening production was directed by Howard Lindsay with choreography past Robert Alton and sets by Donald Oenslager. Today, the show remains a often-revived favorite.[18]

Westward End [edit]

Charles B. Cochran, a British theatrical managing director, had bought the London functioning rights during the show's Boston run,[5] and he produced it at the West Terminate'southward Palace Theatre. The musical opened on June 14, 1935, and ran for 261 performances. The cast included Jeanne Aubert every bit Reno Sweeney (the name changed to Reno La Grange, to suit Aubert's French background), Jack Whiting as Billy Crocker, and Sydney Howard as Moonface Martin. P. G. Wodehouse was engaged to replace the specifically American references in the volume and lyrics with references more appropriate to an English audition.[19]

1962 Off-Broadway revival to 1987 Broadway revival [edit]

The product was revived in an Off-Broadway production in 1962, opening on May 15, 1962, at the Orpheum Theatre. It was directed by Lawrence Kasha with a cast that included Hal Linden as Billy Crocker, Kenneth Mars as Sir Evelyn, and Eileen Rodgers as Reno Sweeney. For this revival, the script was revised to comprise several of the changes from the movie versions. Nearly changes revolved around the previously pocket-size grapheme Bonnie. This revision was also the outset stage version of Anything Goes to incorporate several songs from other Porter shows: "Take Me Back to Manhattan" from The New Yorkers, 1930, "It's De-Lovely" from Carmine, Hot and Blue, 1934, "Friendship" from Du Barry Was a Lady, 1939, and "Let'due south Misbehave" from Paris, 1928.

For the 1987 Broadway revival, John Weidman and Timothy Crouse (Russel's son) updated the book and re-ordered the musical numbers, using Cole Porter songs from other Porter shows, a exercise which the composer oftentimes engaged in.[ commendation needed ] This revival was rescored for a 16-slice swing ring playing on phase, in the style of early Benny Goodman.[twenty] This product opened at the Vivian Beaumont Theater, in Lincoln Eye, on October 19, 1987, and ran for 784 performances. Directed by Jerry Zaks and choreographed by Michael Smuin, it starred Patti LuPone as Reno Sweeney, Howard McGillin equally Baton, Pecker McCutcheon as Moonface, and Anthony Heald as Lord Evelyn; Leslie Uggams and Linda Hart were replacement Renos. It was nominated for x Tony Awards (including nominations for McGillin, LuPone, McCutcheon, and Heald), winning for Best Revival of a Musical, All-time Featured Actor (McCutcheon), and Best Choreography. The production also won the Drama Desk Awards for Outstanding Revival of a Musical and Outstanding Extra (for LuPone).

1989 West Terminate revival and Commonwealth of australia [edit]

Elaine Paige, a British actress and singer, heard of the success of the 1987 Broadway production and made sure to attend a performance. Subsequently seeing the production herself, she was adamant to bring information technology to London.[21] To secure a identify in the evidence'southward bandage, Paige decided it was best she co-produced the show with her then-partner, lyricist Tim Rice. The London production opened in July 1989 at the Prince Edward Theatre. Paige starred as Reno Sweeney[22] (she was replaced later in the run past Louise Gold). The original cast too starred Howard McGillin as Billy Crocker[22] (who was replaced later in the show'south run past John Barrowman),[23] Bernard Cribbins equally Moonface, and Kathryn Evans as Erma. The other principals included Ursula Smith, Martin Turner, and Ashleigh Sendin.

Jerry Zaks again directed the production, with scenic and costume design by Tony Walton, lighting past Paul Gallo, and sound past Tony Meola. The musical director was John Owen Edwards and the choreographer Michael Smuin.

The bear witness transferred to Australia the aforementioned year and played in both Sydney and Melbourne, starring Geraldine Turner as Reno Sweeney, Peter Whitford as Moonface, Simon Shush as Billy Crocker, Marina Prior as Promise Harcourt, and Maggie Kirkpatrick equally Evangeline Harcourt.

2002–2003 Concert, London, and Westward End revivals [edit]

In April 2002, a i-dark-merely concert performance of the show was performed at the Vivian Beaumont Theater. Patti LuPone played Reno with Howard McGillin as Billy and Boyd Gaines as Lord Evelyn Oakleigh. LuPone and Gaines would later on star together in the 2008 Broadway revival of Gypsy. The performance was directed and choreographed by Robert Longbottom with music supervision by David Chase and designs by Tony Walton.[24]

The National Theatre revived the musical, which opened at the Olivier Theatre on December 18, 2002, and closed on March 22, 2003. The production then transferred to the West Finish at the Theatre Majestic, Drury Lane, running from September 26, 2003 (in previews), through August 28, 2004. Directed past Trevor Nunn, it starred Emerge Ann Triplett, John Barrowman, and Yao Chin (who is now a TV reporter). A bandage recording of this production is bachelor.[25]

2011 Broadway revival [edit]

A revival of the 1987 Broadway rewrite opened on April seven, 2011, at the Stephen Sondheim Theatre, produced by the Roundabout Theatre Company. Previews began on March x, 2011. This production was directed and choreographed by Kathleen Marshall with musical supervision by Rob Fisher, dance arrangements past David Chase, and designs past Derek McLane, Martin Pakledinaz, and Peter Kaczorowski. This revival retained much of the 1987 orchestrations by Michael Gibson with some additions from arranger Neb Elliott.

The show's opening night cast featured Sutton Foster equally Reno Sweeney, Joel Grey as Moonface Martin, Laura Osnes as Hope Harcourt, Jessica Walter equally Evangeline Harcourt, Colin Donnell as Baton Crocker, Adam Godley as Sir Evelyn Oakleigh, John McMartin as Elisha Whitney, Jessica Stone as Erma,[26] Robert Creighton as Purser, Andrew Cao as Luke, Raymond J. Lee as John, and Walter Charles equally the Captain.[27] [28] The production was received generally very well by the critics and received a total of ix Tony Honour nominations and 10 Drama Desk Honour nominations, including Best Actress in a Musical, Best Managing director of a Musical, and Best Revival of a Musical. The revival won the Drama Desk Awards and Tony Awards for Best Revival and Best Choreography, and Foster won the Drama Desk-bound and Tony Awards for Best Actress in a Musical.[29]

A cast recording of this production became bachelor equally a digital download on August 23, 2011, and it arrived in stores on September 20, 2011.[30]

Stephanie J. Cake took over for Sutton Foster equally Reno Sweeney in a express engagement (November 4–23, 2011) while Foster filmed a idiot box pilot.[31] [32] Block permanently assumed the office on March 15, 2012, equally Foster left the musical to take a role in a goggle box series.[33]

The product was originally scheduled to run through July 31, 2011, and was initially extended to April 29, 2012.[34] Information technology was extended two more times earlier closing on July eight, 2012, after 521 regular performances and 32 previews.[35] [36]

2012 U.South. national bout [edit]

A national tour in the United States began[37] [ needs update ] in October 2012 at the Playhouse Square in Cleveland, Ohio, which was played more than 25 other major cities.[38] Rachel York played Reno Sweeney.[39] Other cast-members included Fred Applegate as Moonface Martin, Erich Bergen as Billy Crocker, Jeff Brooks equally Purser, Joyce Chittick as Erma, Alex Finke every bit Promise Harcourt, Dennis Kelly as Elisha Whitney, Vincent Rodriguez 3 as Luke, Marcus Shane as John, Sandra Shipley as Mrs. Evangeline Harcourt, Edward Staudenmayer every bit Sir Evelyn Oakleigh, and Chuck Wagner as the Captain.[40]

2015 U.K. tour [edit]

The critically acclaimed Sheffield Theatres product directed by Daniel Evans began a United kingdom and Ireland tour at the New Wimbledon Theatre on January 29, 2015, and was scheduled to visit 32 venues in its nine-month run. The production starred Debbie Kurup as Reno Sweeney and Matt Rawle as Baton Crocker with Hugh Sachs every bit Moonface Martin and Jane Wymark as Evangeline Harcourt until April 4, 2015, followed by Shaun Williamson and Kate Anthony, respectively, from April half-dozen, 2015. The tour was cut short and ended at the 1000 Opera House, Belfast on May xxx, 2015.

2015 Australian revival [edit]

An Australian revival was appear in September 2014 with the cast led past Caroline O'Connor every bit Reno Sweeney and featuring Todd McKenney, Alex Rathgeber, Claire Lyon, Wayne Scott Kermond, and Alan Jones. Jones was replaced in the role of the Captain by Gerry Connolly in Melbourne and Brisbane. The revival, directed by Dean Bryant, played in Melbourne, Brisbane, and Sydney, sequentially, running from June until Nov.

2016 regional revival [edit]

A loftier-profile co-production between Gateway Playhouse (Bellport, New York) and Ogunquit Playhouse starred Andrea McArdle equally Reno Sweeney and Sally Struthers as Mrs. Harcourt. The product, which ran in May to June 4, 2016, featured the Derek McLane sets and Martin Pakledinaz costumes that were created for the 2011 Broadway revival, which was produced by the Roundabout Theatre Company. The production was directed by Jayme McDaniel and choreographed by Jason Wise.[41]

2021 London revival and tour [edit]

A revival directed and choreographed by Kathleen Marshall, based on the 2011 Broadway production, opened for a limited flavor at the Barbican Theatre in London on August 4, 2021. The production repurposed the previous Broadway prepare designs by Derek McLane, sound design by Simon Baker, lighting design past Neil Austin and musical direction/supervision by Stephen Ridley.[42] Previews began on July 23 and, following two extensions, the evidence closed on November 6, 2021.[43] [44]

Originally set up to star Megan Mullally until she withdrew due to injury, Sutton Foster took over as Reno Sweeney in her London theatre debut.[45] Information technology also starred Robert Lindsay equally Moonface Martin, Gary Wilmot as Eli Whitney and Felicity Kendal as Mrs. Harcourt. Foster and Kendal departed the production in October, and were replaced by Rachel York and Haydn Gwynne, respectively.[46] The production received rave disquisitional reviews,[47] bankrupt box office records at the Barbican,[48] and received 9 Olivier Award nominations including Best Musical Revival the following twelvemonth.[49] During its run, the testify was recorded for cinema distribution.[50] [51]

Subsequently concluding its run at the Barbican, a U.k. and Republic of ireland tour from April 2022 and a express return to the Barbican from July 2022 were announced. The new cast features Kerry Ellis as Reno Sweeney, Denis Lawson as Moonface Martin, Simon Callow as Eli Whitney, and Bonnie Langford as Mrs. Harcourt. Nicole-Lily Baisden, Samuel Edwards, Carly Mercedes Dyer and Hadyn Oakley reprise their performances from the London run.[52] [53]

Film versions [edit]

In 1936, Paramount Pictures turned Anything Goes into a movie musical. Information technology starred Ethel Merman (the original Reno), with Bing Crosby in the role of Billy Crocker. Other cast members included Ida Lupino, Charles Ruggles, Arthur Treacher, and Grace Bradley. The director was Lewis Milestone. Among those contributing new songs were Hoagy Carmichael, Richard A. Whiting, Leo Robin, and Friedrich Hollaender.

The volume was drastically rewritten for a second film version, besides by Paramount, released in 1956. This movie again starred Bing Crosby (whose character was renamed), and Donald O'Connor. The female leads were Zizi Jeanmaire and Mitzi Gaynor. The script departed significantly from the original story and was written past Sidney Sheldon. The lesser-known Porter songs were cut, and new songs, written past Jimmy Van Heusen and Sammy Cahn, were substituted. A third version, filmed live on stage during a functioning of the 2021 London revival, follows the 2011 Broadway revival.

Television version [edit]

In 1954, Ethel Merman, at the age of twoscore-six, reprised her function as Reno in a specially adapted live television version of the musical, co-starring Frank Sinatra as the hero, now renamed Harry Dane; Merman's practiced friend Bert Lahr (who had co-starred with her on Broadway in DuBarry Was a Lady) equally Moonface Martin; and Sheree North.[54] This version was broadcast live on Feb 28, 1954, as an episode of The Colgate Comedy Hour, and has been preserved on kinescope.[55] It used five of the original songs plus several other Porter numbers and retained the shipboard setting, but it had a somewhat unlike plot.[56] Information technology has been reported that Merman and Sinatra did not become along well. This version was released on DVD in 2011.[57]

Awards and nominations [edit]

1987 Broadway revival [edit]

Yr Award Category Nominee Consequence
1988 Tony Award Best Revival Won
All-time Functioning by a Leading Histrion in a Musical Howard McGillin Nominated
All-time Functioning by a Leading Actress in a Musical Patti LuPone Nominated
All-time Performance past a Featured Actor in a Musical Bill McCutcheon Won
Anthony Heald Nominated
Best Management of a Musical Jerry Zaks Nominated
Best Choreography Michael Smuin Won
Best Scenic Design Tony Walton Nominated
All-time Costume Design Nominated
All-time Lighting Design Paul Gallo Nominated
Drama Desk Award Outstanding Revival of a Musical Won
Outstanding Actor in a Musical Howard McGillin Nominated
Outstanding Actress in a Musical Patti LuPone Won
Outstanding Featured Actor in a Musical Bill McCutcheon Nominated
Anthony Heald Nominated
Outstanding Director of a Musical Jerry Zaks Nominated
Outstanding Choreography Michael Smuin Won
Outstanding Orchestrations Cole Porter Nominated
Outstanding Costume Blueprint Tony Walton Nominated
Outstanding Set Pattern Nominated
Outstanding Lighting Design Paul Gallo Nominated

1989 W End revival [edit]

Twelvemonth Award Category Nominee Upshot
1989 Laurence Olivier Award Best Extra in a Musical Elaine Paige Nominated

2002 London revival [edit]

Yr Award Category Nominee Outcome
2002 Laurence Olivier Award Outstanding Musical Product Won

2011 Broadway revival [edit]

Yr Laurels Category Nominee Effect
2011 Tony Honor All-time Revival of a Musical Won
All-time Functioning by a Leading Actress in a Musical Sutton Foster Won
Best Performance by a Featured Histrion in a Musical Adam Godley Nominated
Best Direction of a Musical Kathleen Marshall Nominated
Best Choreography Won
All-time Scenic Blueprint Derek McLane Nominated
Best Costume Design Martin Pakledinaz Nominated
Best Lighting Pattern Peter Kaczorowski Nominated
Best Sound Blueprint Brian Ronan Nominated
Drama Desk Award Outstanding Revival of a Musical Won
Outstanding Actor in a Musical Colin Donnell Nominated
Outstanding Actress in a Musical Sutton Foster Won
Outstanding Featured Thespian in a Musical Adam Godley Nominated
Outstanding Featured Extra in a Musical Laura Osnes Nominated
Outstanding Director of a Musical Kathleen Marshall Nominated
Outstanding Choreography Won
Outstanding Costume Design Martin Pakledinaz Nominated
Outstanding Sound Design Brian Ronan Won
Outstanding Set Pattern Derek McLane Won
Outer Critics Circle Honor Best Revival of a Musical Won
Best Actress in a Musical Sutton Foster Won
Best Featured Actor in a Musical Adam Godley Won
Colin Donnell Nominated
John McMartin Nominated
Best Featured Actress in a Musical Laura Osnes Nominated
All-time Management of a Musical Kathleen Marshall Nominated
Best Choreography Won
Astaire Honour All-time Dancer on Broadway Sutton Foster Won
2012 Grammy Accolade[58] Best Musical Show Album Nominated

2021 London revival [edit]

Year Accolade Category Nominee Result
2022 Laurence Olivier Award Best Musical Revival Nominated
All-time Histrion in a Musical Robert Lindsay Nominated
Best Extra in a Musical Sutton Foster Nominated
All-time Actor in a Supporting Office in a Musical Gary Wilmot Nominated
Best Actress in a Supporting Part in a Musical Carly Mercedes Dyer Nominated
Best Director Kathleen Marshall Nominated
Best Theatre Choreographer Kathleen Marshall Won
All-time Costume Pattern Jon Morrell Nominated
All-time Original Score or New Orchestrations David Chase, Bill Elliott and Rob Fisher Nominated
WhatsOnStage Award[59] All-time Musical Revival Won
Best Supporting Actor in a Musical Robert Lindsay Nominated
Best Supporting Actress in a Musical Carly Mercedes Dyer Won
Best Choreography Kathleen Marshall Nominated

Financial data [edit]

In 1934, the average ticket price for a Broadway performance was betwixt $2.50 and $4.50 (averaging $3.thirty).[threescore] Weekly gross data was not recorded, but sure figures assist appraise probable totals.

Opening performances were held from November 21, 1934, to September 28, 1935, at the Alvin Theater in New York City, containing 1,362 seats.[61] The testify was and then relocated to the nearby 46th Street Theatre (known now as Richard Rodgers Theatre), which supports 1,380 seats.[62] Performances at this new location ran from September 30, 1935, to November 16 during the same year. There were typically viii performances each week.[63]

With this information, it can exist concluded that, at 100% capacity, the gross acquirement for all performances would full $1,351,152. If the capacity were at lxxx%, anticipated gross revenue would total $one,081,256 and at 40%, the full would be $540,628.[64]

During the revival of the musical from 2011 to 2012, total revenue was $47,288,859 — slightly over 4% of Broadway's entire gross revenue over the aforementioned fourth dimension period. The total number of attendees for Anything Goes was 515,954.[65]

For contextual purposes, the average yearly salary for all returns in the United States was $3,125.42 in 1934[66] and $42,979.61 in 2011.[67]

Recordings [edit]

There are many pop cast recordings of the evidence, including:

  • 1935 Original London cast
  • 1936 Studio bandage
  • 1950 Studio recording with Mary Martin
  • 1953 Studio cast
  • 1954 Television set cast
  • 1956 Movie cast
  • 1962 Off Broadway revival cast Hal Linden
  • 1969 London revival cast Marion Montgomery
  • 1987 Broadway revival bandage with Patti LuPone and Howard McGillin
  • 1988 Studio cast with Kim Criswell conducted past John McGlinn
  • 1989 Australian revival cast
  • 1989 London revival cast with Elaine Paige
  • 1995 Studio cast with Louise Gilt
  • 2003 London revival cast
  • 2011 Broadway revival cast with Sutton Foster

In pop culture [edit]

For more data about the title song and references to information technology in popular culture, run across Anything Goes (Cole Porter vocal)
  • Title song was used for PBS' American Experience documentary of President Franklin D. Roosevelt considering of the final verse of the song.
  • In the 1972 film What's Up, Doc?, the song "Y'all're the Top" is sung for the opening and closing credits by Barbra Streisand. Ryan O'Neal joins her for the closing credits, and this marks his only on-screen singing in a movie. The movie uses at least two other tunes from this musical as background music: "Annihilation Goes" and "I Get a Kick Out of You" are heard during the first hotel-anteroom scene.
  • In the 1974 Mel Brooks flick Blazing Saddles, "I Get a Kick Out of You" is performed in a comedic way by Cleavon Niggling and the other actors portraying black railroad workers, complete with a total harmony arrangement.
  • "You're The Peak" was used in the film Evil Nether the Sun, performed by Diana Rigg.[68]
  • In the 1984 picture show "Indiana Jones and the Temple of Doom", Kate Capshaw performs the championship song in Mandarin. The tune appears again afterward in the scene.[69]
  • In the Family Guy episode "Saving Private Brian", the Sergeant trainer claims Anything Goes to be one of his most favorite shows. Also, in "Brian: Portrait of a Dog", Lois wants to sing showtunes in the auto. She begins to sing "Annihilation Goes".
  • In an episode of Summertime Heights Loftier, Mr One thousand cancels a production of Annihilation Goes one week before opening.[70]
  • In the play Dancing at Lughnasa by Irish gaelic playwright Brian Friel, the song "Anything Goes" is played on the radio and sung past Gerry Evans to Aggie and Chris. The vocal basically sums up the entire concept of the play: times changing and people changing with them.
  • In an episode of Gilmore Girls, "Y'all're the Height" is sung with slight lyrical changes.[71]
  • The song "Anything Goes" is played on Milky way News Radio, a fictional radio station, in the post-apocalyptic video game Fallout iii, too every bit the next installment, Fallout 4.
  • During the latter half of BioShock, "Y'all're The Summit" can be heard playing from a Rapture radio.[72]
  • John Barrowman, who starred as Billy Crocker in 1989, 2002, and 2003, titled his 2008 autobiography Annihilation Goes.[73]
  • In an episode of Married... with Children chosen "Can't Dance, Don't Ask Me", Steve teaches Kelly to tap dance to "Annihilation Goes".
  • In the Mission: Impossible episode "The Fortune" (from the 1988 revival series), the movie was the favorite film of Luis Barazon—one of the targets. Farther, the segment of the movie where the title song is performed is "the function he likes the best". Also, the phrase "Annihilation Goes" was the 2d level password needed to access Barazon's financial records so that the money the Barazons stole from their country'southward treasury could be returned.
  • "Anything Goes" was used in a mash-up with "Anything Yous Tin Do" (from Annie Get Your Gun) in the third-flavour premiere of the Trick musical television series Glee.[74]
  • Annihilation Went was a parody of Anything Goes, partly shown on Mathnet, the rest existence left to the viewer's imagination. This episode featured veteran Broadway performer Tammy Grimes portraying fictional hammy veteran Broadway performer Lauren Bacchanal.
  • In an episode of The Dick Van Dyke Show, Richie sings "You're the Pinnacle", replacing the words "Mona Lisa" with "Mommy Lisa".[75]
  • A encompass of the title song was released as a duet past Tony Bennett and Lady Gaga in July 2014.[76] [77]
  • In the moving-picture show Passed Abroad, the minister sings "You're the Top."
  • In the 1999 romantic comedy Pull a fast one on, drag performer Coco Peru references the vocal "Blow, Gabriel, Blow".[78]
  • In 2017, the title song was used in a Toyota RAV4 commercial.[79]
  • In The Man in the Loftier Castle episode "Hitler Has Only Got One Ball", Okami listens to "Anything Goes" on a record player.[fourscore]

References [edit]

  1. ^ Davis 1993, p. 6.
  2. ^ Time reported in its May 26, 2008,upshot, p. 51, that this musical tied (with Guys and Dolls) as the tenth most frequently produced musical by U.Due south. loftier schools in 2007.
  3. ^ Schwartz, Charles (2004). Cole Porter: A Biography . New York: Da Capo Press. pp. 132. ISBN0-306-80097-7.
  4. ^ a b c Hischak, Thomas S. (2004). Through The Screen Door. Lanham, Maryland: The Scarecrow Press, Inc., p. 28. ISBN 0-8108-5018-4
  5. ^ a b Jasen, David A (1975). P Chiliad Wodehouse: A Portrait of a Master. London: Garnstone Press. p. 143. ISBN0-85511-190-ix.
  6. ^ Davis 1993, p. 332.
  7. ^ "Anything Goes London Product 1935". ovrtur.com. Performers. Retrieved 2021-12-29 .
  8. ^ "Annihilation Goes – Broadway Musical – 1987 Revival". IBDB . Retrieved 2020-08-19 .
  9. ^ "Annihilation Goes Original West End Cast - 1989 Due west End". BroadwayWorld . Retrieved 2020-08-nineteen .
  10. ^ "Cole Porter / Anything Goes (2002 National Theatre Revival)". Sondheimguide.com . Retrieved 2020-08-nineteen .
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  12. ^ "Annihilation Goes – Broadway Musical – Tour". IBDB . Retrieved 2020-08-19 .
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  15. ^ "Kerry Ellis & More Board the London Return of Annihilation Goes". Broadway.com. February iv, 2022.
  16. ^ Internet Broadway Database for "Anything Goes" Archived 2005-01-14 at the Wayback Car ibdb.com
  17. ^ "Anything Goes Original Broadway Product". Sondheim Guide. Sondheim Guide. Retrieved 24 September 2019.
  18. ^ Wollman, Elizabeth L. (2017). A Disquisitional Companion to the American Stage Musical. Bloomsbury. ISBN978-1-472-51048-8.
  19. ^ Day, Barry (2004). The Complete Lyrics of P G Wodehouse. Lanham, Maryland: Scarecrow Printing. pp. 407–414. ISBN0-8108-4994-one.
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  21. ^ "Anything Goes London". Worthpoint.com . Retrieved thirty September 2019.
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  23. ^ Webb, Paul (Oct 7, 2003). "John Barrowman Chats Virtually Return to Anything Goes Role in London". Playbill. Archived from the original on Apr viii, 2015.
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  26. ^ "Jessica Stone". Internet Broadway Database. The Broadway League. Archived from the original on 29 June 2013. Retrieved 8 June 2013.
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  28. ^ Lewis, Jessica (December 7, 2010). "Osnes, Stone et al. Bring together Foster & Greyness in ANYTHING GOES; Total Cast Announced". BroadwayWorld. Archived from the original on December ten, 2010.
  29. ^ Jones, Kenneth (June 13, 2011). "War Horse, Book of Mormon, Anything Goes, Normal Heart Win 2011 Tony Awards". Playbill . Retrieved July 26, 2021.
  30. ^ Jones, Kenneth (August 17, 2011). "Annihilation Goes Cast Album In Stores Sept. 20, Before Via Digital Services". Playbill . Retrieved July 26, 2021.
  31. ^ Lewis, Jessica (October xix, 2011). "Sutton Foster Takes Anything GOES Hiatus in Nov. for Television receiver Airplane pilot; Stephanie J. Block Steps in". BroadwayWorld. Archived from the original on November 22, 2011.
  32. ^ Gans, Andrew (October 31, 2011). "Stephanie J. Cake Will Make full in for Sutton Foster in Broadway'due south Anything Goes Starting Nov. 4". Playbill . Retrieved July 26, 2021.
  33. ^ Jones, Kenneth (February 23, 2012). "Times Accept Changed! Stephanie J. Block Is New 'Reno' of Broadway's Anything Goes". Playbill . Retrieved July 26, 2021.
  34. ^ Jones, Kenneth (September 19, 2011). "Voyage Extended: Anything Goes Will Steam Into April 2012, With Sutton Foster on the Bow". Playbill . Retrieved July 26, 2021.
  35. ^ Hetrick, Adam; Jones, Kenneth (July 8, 2012). "Tony-Winning Revival of Anything Goes, With Stephanie J. Block and Joel Greyness, Sails Into the Sunset July 8". Playbill . Retrieved July 26, 2021.
  36. ^ "Anything Goes" Archived May 29, 2012, at the Wayback Machine playbillvault.com, July viii, 2012
  37. ^ Viagas, Robert (June 13, 2011). "Anything Goes Extends on Broadway and Plans U.S. Bout". Playbill . Retrieved July 26, 2021.
  38. ^ Jones, Kenneth (December 12, 2011). "Annihilation Goes Will Embark on National Tour in Fall 2012". Playbill . Retrieved July 26, 2021.
  39. ^ Jones, Kenneth (March 27, 2012). "Anything Goes Tour Volition Go a Kick Out of Rachel York as Reno Sweeney". Playbill . Retrieved July 26, 2021.
  40. ^ Rosky, Nicole (August 7, 2012). "Erich Bergen, Joyce Chittick, Alex Finke Bring together Bandage of ANYTHING GOES Tour". BroadwayWorld. Archived from the original on August 17, 2012. Retrieved Baronial 7, 2012.
  41. ^ Jacobson, Aileen (2016-05-27). "Review: Joyous Energy Fills 'Annihilation Goes,' at Gateway Playhouse". The New York Times. ISSN 0362-4331. Archived from the original on 2016-06-02. Retrieved 2016-07-26 .
  42. ^ Gans, Andrew (2020-11-20). "Megan Mullally and Robert Lindsay to Star in London Revival of Anything Goes". Playbill . Retrieved 2020-11-21 .
  43. ^ Gans, Andrew (2021-08-04). "Sutton Foster Is Reno Sweeney in London's Anything Goes, Opening August 4 at the Barbican". Playbill . Retrieved 2021-09-25 .
  44. ^ Sullivan, Lindsay (2021-08-04). "Anything Goes, Starring Sutton Foster, Extends Run in London". Broadway . Retrieved 2021-09-25 .
  45. ^ Moynihan, Caitlin (May 14, 2021). "Sutton Foster to Supplant Megan Mullally in London'south Anything Goes". Broadway.com . Retrieved May xv, 2021.
  46. ^ Sullivan, Lindsay (2021-09-24). "Rachel York to Step in for Sutton Foster in London's Annihilation Goes". Broadway.com . Retrieved 2022-02-04 .
  47. ^ "Read the Reviews for London's New Anything Goes, Starring Sutton Foster". Playbill . Retrieved 2022-03-09 .
  48. ^ "Annihilation Goes breaks Barbican box office record | WhatsOnStage". www.whatsonstage.com . Retrieved 2022-03-09 .
  49. ^ "Olivier Awards 2022 nominees announced including Eddie Redmayne, Jessie Buckley and Stephanie McKeon | WhatsOnStage". world wide web.whatsonstage.com . Retrieved 2022-03-09 .
  50. ^ "Anything Goes to exist shown in cinemas next month | WhatsOnStage". Whatsonstage.com . Retrieved 2021-ten-08 .
  51. ^ "Annihilation GOES Starring Sutton Foster Comes to US Cinemas in March" broadwayworld.com, January 13, 2022
  52. ^ Forest, Alex (4 Feb 2022). "Anything Goes revival cast to include Kerry Ellis, Bonnie Langford, Simon Callow and Denis Lawson". Whatsonstage.com . Retrieved 5 February 2022.
  53. ^ Gans, Andrew (2022-02-02). "Kerry Ellis, Denis Lawson, Simon Callow, Bonnie Langford Will Star in London Return of Anything Goes". Playbill . Retrieved 2022-03-06 .
  54. ^ "Anything Goes! on DVD". Goggle box University Foundation'southward Archive of American Television. Archived from the original on 2014-eleven-03. Retrieved 2011-09-06 .
  55. ^ Anything Goes (1954 Colgate Comedy Hour production) at IMDb
  56. ^ Mandelbaum, Ken (October 5, 2005). "DVDs: Bing Sails Over again". Broadway.com. Archived from the original on August 25, 2007.
  57. ^ Hetrick, Adam (March 24, 2011). "Annihilation Goes, With Ethel Merman and Frank Sinatra, Will Exist Released on DVD". Playbill.
  58. ^ "Best Musical Theater Anthology". National Academy of Recording Arts and Sciences. Dec 2, 2011. Archived from the original on 2011-12-04. Retrieved 2 Dec 2011.
  59. ^ "Nominees for 22nd Annual WhatsOnStage Awards announced". Whatsonstage.com . Retrieved 24 January 2022.
  60. ^ "20th CENTURY BROADWAY AND Across: A CHRONOLOGY (1900-1949)". Web.ics.purdue.edu . Retrieved 2019-09-29 .
  61. ^ Morrison, William (1999). Broadway Theatres: History and Architecture(trade paperback). Dover Books on Architecture. Mineola, New York: Dover Publications. pp. 154–55. ISBN 978-0486402444.
  62. ^ "Richard Rodgers Theatre | Theaters". Broadway.com . Retrieved 2019-09-29 .
  63. ^ "Anything Goes (Original Broadway Production, 1934)". Ovrtur . Retrieved 2019-09-29 .
  64. ^ Andrews, Alisa (2015). "Annihilation GOES: A Await THROUGH TIME AT THE MARKETING STRATEGIES AND HOW 1 Show HAS SURVIVED IN A CHANGING Economic system FROM 1934 TO 2011" (PDF). The University of Akron.
  65. ^ "Anything GOES Broadway Grosses". Broadwayworld.com . Retrieved 2019-09-29 .
  66. ^ "Statistics of Income for 1934" (PDF). U.Due south. Treasury Department. 1936.
  67. ^ "National Average Wage Alphabetize". Ssa.gov . Retrieved 2019-09-29 .
  68. ^ Canby, Vincent (March 5, 1982). "'Evil Under Sun,' New Christie". The New York Times.
  69. ^ "INDIANA JONES AND THE TEMPLE OF DOOM – John Williams". Movie Music UK. September 11, 2014.
  70. ^ Vincentelli, Elisabeth (October 10, 2008). "'Summertime Heights High' on HBO: 3 Roles, One Human being in Grapheme". The New York Times.
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  72. ^ Yanez, Rodrigo Pablo (2018). "'You're Getting to be a Addiction with Me': Diegetic Music, Narrative, and Discourse in 'Bioshock'". The Periodical of the Canadian Game Studies Association.
  73. ^ "Anything Goes autobiography - John Barrowman Official Site". Johnbarrowman.com.
  74. ^ Futterman, Erica (September 21, 2011). "'Glee' Recap: Season 3 Off to a Potent Start". Rolling Rock.
  75. ^ "September 2014". The Daily Hatch.
  76. ^ "Annihilation Goes Lyrics Tony Bennett & Lady Gaga". Themusicallyrics.com.
  77. ^ Akalin, Ozgun (March 20, 2015). "Anything Goes - Sinatra and Bennett". TheFrankSinatra.com.
  78. ^ "Play tricks (1999)". Beliefnet.com.
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  80. ^ ""The Homo in the High Castle" Hitler Has Only Got One Ball (TV Episode 2019)", IMDb.com , retrieved 2020-08-26

Sources [edit]

  • Davis, Lee (1993). Bolton and Wodehouse and Kern: The Men Who Made Musical Comedy (1st ed.). New York City: James H. Heineman, Inc. pp. 6, 332. ISBN978-0870081453.

External links [edit]

  • https://anythinggoesmusical.co.uk/home
  • Anything Goes (1934 original production) at the Internet Broadway Database
  • Annihilation Goes (1962 production) at the Internet Off-Broadway Database
  • Anything Goes (1987 product) at the Internet Broadway Database
  • Annihilation Goes (2002 concert production) at the Internet Broadway Database
  • Anything Goes (2011 product) at the Cyberspace Broadway Database
  • Tams-Witmark listing for 1987 production
  • Tams-Witmark listing for 1962 production
  • Annihilation Goes 1962 Broadway revival cast recording album on Masterworks Broadway
  • Playbill Vault listing for original 1934 product
  • Playbill Vault listing for 1987 revival
  • Playbill Vault listing for 2011 revival

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Source: https://en.wikipedia.org/wiki/Anything_Goes

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